We Need to Talk

On the plane to San Diego for the joint meetings, I finally watched The Big Sick. There’s a throwaway line where a character, voice filled with shame and disgust, says “Who goes to a math conference to get laid?”

A couple days later I read the crowdsourced spreadsheet of self-reported incidents of sexual harassment in the academy, sparked by Dr. Karen Kelsky of The Professor is In. Reading the entries, it turns out the answer is…math professors.

Into The Light 5 from Death to the Stock Photo

If you haven’t scanned through the document yet, I recommend you do. The stories come from all levels, at all kinds of schools, and all kinds of harassers. With over 2300 entries (and counting), it’s overwhelming. The kind of thing you can only process in chunks.

Look at how many incidents were never reported, often on the advice of faculty members. Look at how many occurred in front of people who looked the other way. Look at how many caused women to leave their jobs or their fields. Look.

You’re either shocked by this or you’re not, and neither reaction is particularly interesting. I’ve led a fairly easy life as a women in math. No one with any real power over me ever pulled anything obvious. People have made casually sexist comments, and gross fellow students made my life uncomfortable, but that felt like just what you sign up for as a female mathematician – a subject for another post on another day. Other women I know haven’t been so lucky. It’s hard for “whisper networks” to develop among women when there are barely any women around. And often the department scumbag is just unavoidable, even if you’ve been warned.

One experience I had was exceedingly mild by comparison, but it still sticks with me: I was staffing the Project NExT booth at the jmm with another (female) fellow, and a man I’d never met asked if I wanted to hear a rhyme about girls who wear glasses. I told him I’d heard plenty before and had no interest in his. That didn’t stop him. I don’t think he even heard what I’d said.

It wasn’t one I’d heard before. I guess I’ll give him that.

I still kick myself that I was too stunned by the ridiculousness of the exchange to remember his name. I remember the school, but it was a big department and I couldn’t find many photos. If that’s the kind of thing he says to a colleague in public, while wearing a name tag for God’s sake, what does he do when he has more privacy and more power?

I wish I could write about this as well as Izabella Laba did today in her essay to our male colleagues, As you do unto us. It’s long and difficult and worth reading every word. The articles she cites are just as essential. To try to give it a reductive, glib summary: to men feeling uncomfortable and concerned about what effect sexual harassment might have on your career, welcome to a really unpleasant club. We don’t want to be here either.

The title of a piece by Rebecca Traister (also cited multiple times in Laba’s essay) sums it up: This Moment Isn’t (Just) About Sex. It’s Really About Work. Regarding concern about witch hunts and false equivalences, she writes

…we are making a crucial category error. Because the thing that unites these varied revelations isn’t necessarily sexual harm, but professional harm and power abuse.

The harassers in that spreadsheet have been with us. They’ve been our professors, in our classes, on the admissions committees, writing our recommendations, reviewing our grants and papers, leaving student evaluations, on our hiring and tenure committees. Even if they’re not actively making passes, they’re not seeing our work with the same eyes they use for our male peers. Their thumbs are always on the scale.

What’s almost worse is that they affect how women define ourselves and each other. These men reduce the chances we’re willing to take. And they encourage us to give the kinds of bad advice you see over and over again: stay quiet; it’s not worth it; this is just how it is.

This conversation can’t and won’t end anytime soon. There’s too much to unravel and reknit. If you’d like to tell your story, please add your voice to Dr. Kelsky’s survey, or even post anonymously below. Otherwise, I invite you to read, and listen, and hear. Pull up a chair. We’ll be here awhile.

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Winter Break Limbo

The third-year dossier is edited and off to the committee; the last talks got talked; grades are posted. Haven’t quite started working in earnest on Spring semester yet, and I’ve set aside my writing until Tuesday.

I’ve written before about the struggle to take time off during holidays. And I’m getting better about not expecting to get a ton of work done over break. I never do as much as I think I will, and just end up feeling guilty and exhausted when Spring semester starts up again.

But what the heck are you supposed to do instead?

I know I’m not the only person who’d probably be better off in a medically-induced coma between the end of the semester and the joint meetings. This year I’ve:

This is definitely the office floor of a well-adjusted person who knows how to take a vacation.

  • baked about a bajillion cookies
  • replaced the old insulation in our crawl space
  • made 5 pounds of kishka
  • watched a probably pathological number of period dramas
  • tore down and rebuilt our broken electric piano

I haven’t finished all the other non-work stuff I thought I’d tackle: the pile of books, the unfinished projects, the community and household organizing, the couple dozen open tabs in my browser. There’s still a few days. I give it even odds.

Why does this job, where you set your own hours more than any other salaried position I know of, attract people who don’t do well when they’re not on a schedule? And what good is it to say you’re taking a week off work if you just turn around and drive yourself crazy overdoing everything else instead?

Does anyone have advice for what to do when you’re off the clock? For how to take a vacation without necessarily leaving town?

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Here is a new awesome text-based math game. Happy New Year!

 

The Osborne 1, where I first played Zork and other interactive fiction games. Photo by Bilby, used under Creative Commons License, https://creativecommons.org/licenses/by/3.0/deed.en

Thank you, Mike Spivey, for writing and sending me a link to A Beauty Cold and Austere (ABCA), a new math-filled, text-based, interactive fiction game. What is text-based interactive fiction, you ask? Or maybe you don’t because you know what it is and are already playing at the link below.  In case you don’t know, playing interactive fiction is like reading a Choose Your Own Adventure book, except with a lot more choices and built in puzzles. The game describes a situation in text, and you type in what you want to do—you can try to do anything you want, though not everything will get you anywhere.  Usually these games involve solving puzzles and have fun built in jokes and Easter eggs.

Mike is Professor in and Chair of the Department of Mathematics and Computer Science at University of Puget Sound.  He also maintains a math blog and does other cool stuff, and got into interactive fiction in the 1980s through the games Trinity and Zork (he writes a little about this in a blog post about ABCA). Though it is his first game, ABCA was highly praised at the 2017 annual Interactive Fiction Competition.

Please indulge my nostalgia for a moment: My family got our first computer as a hand me down in maybe 1990.  It was an Osborne 1 from the early 1980s, with a tiny screen built in.  It came to us with WordStar and two games that I remember extremely well.  One was really hard: you steered a plane/rocket through obstacles, and I was not coordinated enough to play.  However, I fell in love with Zork, an interactive fiction game created in the late 70s by members of the MIT Dynamic Modelling Group, and in fact one of the first interactive fiction games.

Zork was a perfect combination for me, a kid who loved puzzles and reading. I never got too into graphics-based games (except for a brief love affair with a Gameboy, which I lost and mourned greatly), but I played Zork and similar games quite a bit as a kid.  And then I completely forgot about these games for about 20 years. Until earlier this week, when Mike sent me a link to ABCA. As soon as I started typing, it all came back, only with special added fun from combining something I already loved with math.

For those of you who want to quit reading and just play the game now, you can jump right in and play online here (just click the “Play On-line” button near the upper right-hand corner) [1]:  http://ifdb.tads.org/viewgame?id=y9y7jozi0l76bb82

I have really enjoyed playing ABCA, so I figure many AMS blog readers and their students would too. I asked Mike some questions about developing the game and if he’d be willing to describe it for the blog. Instead of paraphrasing, I’ll just let him tell you about it:

“The game mostly covers undergraduate-level mathematics material, especially mathematics that you would see in the first two years of college.  I teach this material regularly, and so I think about it a lot.  But there are some mathematical extras thrown in there, plus a decent amount of the history of mathematics.”

“This is the first game I’ve written.  I had a couple of my students beta test it for me, which was fun.  One of them had played Zork before, and the other had not.  I also advertised it to all of my students in the fall semester.  Several of them played it, and at least one of them managed to win the game.”

“I had the idea that maybe ABCA could be a way to introduce some mathematical concepts to people who are afraid of math or think mathematics is just symbolic manipulation.  So, originally, I thought my audience would be people who aren’t naturally drawn to mathematics but who might be willing to explore it conceptually in a different format.  Age-wise, they would be advanced high school students or older.

“What I think happened in the competition, though, is that people didn’t play the game unless they already had some interest in mathematics.  So I’ve revised my sense of the ideal audience somewhat: Advanced high school students and older who are interested in exploring mathematical concepts in a different format.  But people who already know a lot of mathematics have enjoyed it, too.”

“There’s no symbolic manipulation in ABCA; whenever I could I represented mathematical concepts in concrete form or as a puzzle to be solved.  This means that you can explore certain mathematical ideas far beyond your mathematical skill level without having to pick up all the necessary background knowledge.  Of course, it also means that you can’t go super-deep with the ideas, but the background knowledge and mathematical language barrier that is such a problem for so many people isn’t there to anywhere near the same degree.  Also, if something in the game piques your interest you can always follow up on it.”

“One example (maybe you’ve already found it) is that there’s a puzzle in the game where you have to isolate the primes between 1 and 100 using only five game actions.  Of course, we both know that the Sieve of Eratosthenes will be required.  But what if you’d never heard of the Sieve?  With a little hinting, could you reason your way to the idea behind the Sieve on your own?  On two occasions I’ve been able to watch people playing ABCA who have done just that.  I also watched someone run into the Casino puzzle in the game and reason her way to something very close to the best strategy for solving the classic probability problem that underlies the puzzle.  Even my nine-year-old son, who knows no algebra, was able to solve the balance scales puzzle that’s basically just a manifestation of a system of three equations and three unknowns.  Games are great for this sort of thing – give someone a challenge, and they’re motivated to keep thinking about it until they figure it out.”

Mike sent me this game based on a conversation we had several years ago about mathematics and narrative, and how narrative relates to mathematics through motivation, proof, context, and cultural relevance.  This game beautifully uses narrative to carry a player through a whole imagined world, revealing concepts and connections through fantasy locations and objects like the “incrementing wand” and a literal square root. I can see my students having a great time with this game. More importantly (as far as I am concerned), I am having a great time with this game.  I have been playing ABCA for about an hour and have a current score of 13/100. A struggle with which verb to use stalled me out for a while: I kept telling the game to “shake the wand,” which (spoiler alert) should clearly be “wave the wand.”  But a built-in hint kept me moving.  This is a well-constructed game with a lot of cool content.  Bravo, Mike.

So, enjoy the link, and happy New year, everyone!  ‘Tis the season for an Interactive Fiction revival, starting with ABCA.


Also—anyone headed to the Joint Mathematics Meetings this year?  I’ll be there, writing for the AMS JMM blog, along with my fabulous co-bloggers Adriana Salerno, Kelsey Houston-Edwards, Karen Saxe and Ben Thompson.  As always, there are some great events coming up at JMM, and I’m excited to share the math fun.  Say hi if you see me there!  Especially if you want to be in the blog, talk about interactive fiction, play non-serious bridge, or share (in person or in the comments) cool events I should know about.  Thanks, and see you in San Diego.


[1] Mike says: “The game should run fine online, but downloading probably produces somewhat faster play.  Unfortunately, downloading requires downloading an interpreter as well.  I recommend the Gargoyle interpreter for PCs.  I don’t use Macs, but I’ve heard Lectrote works well with them.”  I just have been playing online, but here are his links to the interpreters:

Gargoyle: https://github.com/garglk/garglk/releases

Lectrote: https://github.com/erkyrath/lectrote/releases

 

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